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18 Feb 2008 04:38:22 | Patrick Quinn
I have been in the ad game for a long, long time. I have trained
hundreds of writers, and I’ve been responsible for moving of
millions £ & $ in product worldwide. Here are just a few tips
that I hope will help you do a better job, and make a bigger
name for yourself.
One. Whatever copy job you are working on – brochure, mailer,
sales letter, press ad, website – always include a headline. A
pertinent headline. A selling headline. This headline will be,
or should be, powerful enough or intriguing enough to draw your
target into the compass of the body copy. If it can do that, you
are on a winner. To put it simply, your headline should be a
snapshot of your sales message – a précis of your offer or
promise. In other words, a headline that says: Buy this product
and get this benefit.
Two. Always remember, people don’t buy products, they buy the
benefits of owning those products. A man doesn’t buy a sportscar
because it is precision engineered or aesthetically designed. He
buys it because of the ego-boost it gives him. It shows the
world that he has made it. Likewise, a woman doesn’t by a
cocktail dress by Camille of Paris simply because of the cut or
the exquisite stitching. She buys it for the cachet that is
attached to the label. She would probably look as good in a
dress from a High Street department store, but she wouldn’t feel
as good. And that’s the benefit.
Three. Around 30% of all copy headlines are both useless and
irrelevant. The worst of them often take the form of puns or are
re-workings of current film titles or song titles. Puns are fine
if they are appropriate, which they seldom are. And the writer
who tries to demonstrate how cool he is by working his product
message into a film or song title is usually doing a lot for the
sales of movie tickets and CDs, but very little for his client.
The moral is this. State your sales proposition cleverly,
wittily, stridently or emotively, but never ever employ a device
simply because it’s the easy thing to do. If you can’t be
original, at least be positive.
Four. If it doesn’t quack, it ain’t a duck. And if your copy
doesn’t make some kind of selling proposition, it isn’t
advertising – it’s an announcement. So many writers these days
fail to understand that copy is nothing more than salesmanship
in print. They play with words for the sake of playing with
words. They lose sight of the fact that they should be trying to
sell something. Thus, copy must use the psychology of the
salesman; and it must say, right up front: Here’s what’s in it
for you.
Five. Always be a little circumspect about experts who try to
tell you how to write better copy. And that includes me.
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___ Patrick Quinn publishes a free monthly newsletter,
AdBriefing. Subscriptions are available at:
http://www.adbriefing.com
About Author :
Patrick Quinn is a copywriter, with 40 years' experience of the
advertising business in London, Miami, Dublin and Edinburgh.
Over the years, he has helped win for his clients just about
every advertising award worth winning.
His published books include:
The Secrets of Successful Copywriting The Secrets of Successful
Low Budget Advertising The Secrets of Successful Exhibitions
Word Power 1-2 & 3 He also publishes AdBriefing, a free on-line
newsletter.
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