14 Mar 2008 02:11:36 | Mary Anne Hahn
Much of what I do at my "day job" involves editing what others
have written. Eliminating typos, repairing damaged grammar,
replacing missing or misused punctuation--I relish editing, in a
roll-up-my- shirtsleeves and rub-my-hands-together sort of way.
Often I get to transform a garbled attempt to communicate into
something that's clear, concise and, well, readable. Change a
word here, slice a few there, and I can add pizzazz to something
that started out flat and lifeless. I like to think of myself as
a highly skilled word surgeon, deftly able to remove extraneous
verbiage with my scalpel--er, pen--and often performing complete
paragraph transplants with total success.
That is, until it comes to performing surgery on my own writing.
Then I frequently feel like a word surgeon with fake credentials.
There are times when I simply cannot see how even one of my
golden words could be improved, much less removed. How dare
editors impose restrictive word limits? If I'd thought that any
words weren't necessary, I wouldn't have written them in the
first place, right? Maybe, for me, editors will make an
exception. Once they read my incredibly crafted piece, they'll
bend their own rules, run it as written, even thank me for
ignoring their guidelines...
Or, more likely, they won't run the piece at all. If they do,
they'll whittle it down to size themselves, and who knows what
damage they'll cause? Not all editors can call themselves word
surgeons, you know. Some treat our writing with all the delicacy
of a demolition crew clearing the way for a new super highway.
So if we want to keep what we've written intact and adhere to
editorial guidelines at the same time, we need to self-edit. But
how can we objectively view anything that we've subjectively
written? How do we unemotionally apply our editor's scalpel to
work that we poured our hearts into?
I believe the that the first step in self-editing is to leave
what you've written alone for a while, to detach yourself from
it.
Recently, I wrote an essay specifically for the "My Inspiration"
section of the National Association of Women Writers'
newsletter, "NAWW Weekly." In its original version, my article
weighed in at a porky 900-plus words. The editor's word limit?
Six hundred, maximum.
Eliminate over 300 words? Where? Squelching my first impulse to
submit it in its entirety, and my second impulse not to submit
it at all, I let the essay sit for several days. When I returned
to it, I immediately found several wordy phrases that I could
painlessly delete. Rewriting other sentences from passive to
active voice reduced the word count even further (while grammar
sites and books deal with passive/active voice at length,
there's a nice summary here:
http://www.english.uiuc.edu/cws/wworkshop/grammar/active.htm).
Yet, even with these changes, my piece remained too lengthy. Did
I really want to slice it down further, at the risk of losing my
reason for writing it? What, precisely, *was* my reason for
writing it?
That's when I had an "ah ha" moment. I reviewed the essay again,
and I began to find entire paragraphs that, although nicely
written (in my humble opinion!), did not *directly* contribute
to the main point. Although these paragraphs provided additional
background and perhaps a dash or two of color, could the essay
survive without them? The answer was undeniably "yes."
So, with nary a whimper, I wielded my pen/scalpel on those
paragraphs, which brought the piece under the word limit. This
enabled me to submit it guiltlessly, knowing I'd managed to walk
that line between respecting the editor's guidelines and
maintaining the integrity of what I wanted to communicate.
Okay, I'll admit that I *did* save the original version as well.
Perhaps I'll submit the longer, more lush essay to another
publication someday. But I'm pleased with the edited one as
well. And yes, the essay ran.
(http://groups.yahoo.com/group/NAWWWeekly/message/45)
So what did I learn from this exercise that I want to share with
you?
1. First, go ahead and just write what you want to write.
2. Then leave it alone for a while. At least a day or so, maybe
longer.
3. When you reread it for the first time, eliminate the obvious
flaws. Cut out unnecessary phrases. Rework long, rambling
sentences into shorter, sharp ones.
4. Ask yourself why you are truly writing the piece, and whether
every paragraph contributes to your reason(s) for writing it.
Delete those that don't make the grade. To assist you through
this most difficult step, focus on the fact that you want to get
your work published. This enables you to let go of any sentences
that stand in the way of you and your goal.
Finally, to help ease the pain of self-surgery, save your
original work under one document name, and your edited result
under another. You may be able to use those discarded paragraphs
in another piece down the road.
About Author :
Mary Anne Hahn has written numerous articles on writing, the
writing life, business and career topics. She is also editor and
publisher of WriteSuccess, the free biweekly ezine of ideas,
information and inspiration for people who want to pursue
SUCCESSFUL writing careers. Ti subscribe,
mailto:writesuccess-subscribe@yahoogroups.com .