18 Feb 2008 04:33:25 | John R Dempsey
Ten Things You Need to Know about Choosing
Choosing is like breathing. You do it – indeed, you must do it –
all day, every day.
Whether waking or sleeping, whether deliberately or habitually,
whether in matters big or small, you live by continuously
choosing. You are always choosing – what to do next, what to do
now, what to do if, what to do when.
And just like breathing, your choosing can become so routine and
so automatic that you may not be certain how or why it works.
You may not understand how or why it sometimes fails to serve
you well.
These ten things you need to know are the ABCs of choosing.
Learn these ten things, remember these ten things, and you can
breathe easier, secure in the knowledge that you have a better
understanding of how and why your choosing works, and of how and
why it sometimes fails to serve you well.
When you know these ten essential things about choosing, you
become better at weighing your options in every situation. You
become more efficient and more effective in all of your
choosing, deliberate and habitual, big and small. Your choosing
gets better and better.
Here are the essential messages of the ten things you need to
know about choosing:
1.You can only interpret what you can perceive – choosing
requires both.
2.You perceive consciously and non-consciously – choosing
requires both.
3.You interpret logically and non-logically – choosing requires
both.
4.You choose what’s possible to make what is – choosing changes
both.
5.Risk and reward are two sides of the same coin – choosing
engages both.
6.You put some time, energy and attention into every choice –
big or small.
7.You delay choosing when you focus on perceiving.
8.You hasten choosing when you focus on interpreting.
9.You allot your time, energy and attention to choosing
according to the risk and reward that you perceive and interpret.
10.You cultivate habitual choosing to free up time, energy and
attention for higher stakes choosing.
That is the essence of the ten things you need to know about
choosing. Each message is explored here in a little more detail,
and explained in a little more depth.
Each message is also countered with a caveat – a cautionary
pointer to the consequences of heeding the message without the
proverbial grain of salt. 1.There are two sides to every story.
The story of choosing has two sides – perceiving and
interpreting.
To choose well, you must always consider each side of the story
independent of the other. You must consider the whole story, of
course, and yet you must always have clear distinctions between
what you perceive and what you interpret. The classic example of
different witnesses describing different versions of an event
illustrates the roles of perceiving and interpreting. The
witnesses all perceive exactly the same thing; it is only when
they interpret that different versions arise.
The caveat: The line between perceiving and interpreting can be
very thin, and very flexible. You can easily mistake one for the
other.
The essential message: You can only interpret what you can
perceive – choosing requires both.
2.The story of perceiving has two sides – what is and what’s
possible.
To choose well, you must always consider what is that is
relevant to the situation and meaningful for you. You must also
consider what’s possible that is relevant to the situation and
meaningful for you.
You perceive what is through your physical body – your direct
experience of the world around you. This is the linear world of
apparent cause and effect, sometimes called immanent reality,
and your physical body can perceive this world fully, accurately
and consciously.
You perceive what’s possible through your intuitive “body” –
your experience of the latent world, sometimes called
transcendent reality. Your intuitive “body” can perceive this
world fully, accurately and non-consciously.
The caveat: Your beliefs, preferences and habits may limit your
capacity to perceive fully and accurately. You can perceive
fully and accurately, both consciously and non-consciously. You
may, for example, prefer your direct experience of the immanent
world to your experience of the latent world. You may prefer
your five common senses to the body’s deeper perception of what
is. You may prefer one or two of your five common senses over
the others.
The essential message: You perceive consciously and
non-consciously – choosing requires both.
3.The story of interpreting has two sides – what you think and
what you feel.
To choose well, you must always consider the thoughts that you
generate in response to your perception of what is and what’s
possible. You must also consider the feelings that you generate
in response to your perception.
You interpret logically when you apply your mental awareness and
intelligence – your thinking – to consider the meaning and
relevance of what you perceive.
You interpret non-logically when you apply your emotional
awareness and intelligence – your feelings – to consider the
meaning and relevance of what you perceive.
The caveat: Your interpreting ability is designed to process
full and accurate perception. When you limit your full and
accurate perception, you may generate plausible and false
perceptions to fill in the blanks.
Another caveat: You may generate thoughts in response to your
feelings, and you may generate feelings in response to your
thoughts. You generate your first thoughts and feelings in
response to your perception of what is and what’s possible – you
may generate later thoughts and feelings in response to your
immediate interpretation.
The essential message: You interpret logically and non-logically
– choosing requires both.
4.Every choice affects both what is and what’s possible.
Choosing is a creative act, generating change in both the
immanent and the latent worlds.
Your choices lead you to action – your actions lead to outcomes.
Your actions and outcomes create ripples that change both what
is and what’s possible, both for you and for others. Just as
living and breathing are continuous, you can now see that
perceiving must be continuous. You perceive the continuously
changing landscapes of what is and what’s possible. Continuous
perceiving requires continuous interpreting and leads to
continuous choosing – more choosing, more actions, more
outcomes, more perceiving, etc.
The caveat: You may sometimes experience extreme responses to
this continuously changing being and possibility – you may feel
the pace of change is impossible for you to keep up with, or you
may feel paralyzed, unable to choose any action or outcome.
The essential message: You choose what’s possible to make what
is – choosing changes both.
5.The story of possibility has two sides – risk and reward.
As you perceive and interpret what’s possible, you naturally
find some actions and outcomes that appeal to you, some that
repel you and some that move you neither one way nor the other.
Your affinity for a particular action or a particular outcome is
a measure of the risk or reward that that action or outcome
holds for you. An action or outcome that repels you is a risk;
an action or outcome that appeals to you is a reward. Actions
and outcomes that move you neither one way nor the other are
less risky, and also less rewarding.
The caveat: Actions that appeal to you may have outcomes that
repel you, and outcomes that appeal to you may require actions
that repel you.
Another caveat: Many different paths may lead to a particular
outcome, and a particular action may be a step on many paths.
The essential message: Risk and reward are two sides of the same
coin – choosing engages both. 6.Every choice is made over TEA.
Choosing takes time. Choosing takes energy. Choosing takes
attention.
You consume a brew of your own time, energy and attention while
perceiving the situation before you. You consume more of your
time, energy and attention while interpreting the situation and
your options. You consider the impact of each scenario, weighing
the risks and the rewards. You perceive some, you interpret some
– back and forth – all the while consuming more and more of your
precious TEA.
You may consume only a sip or a cup of your TEA; you may consume
a full pot or an entire plantation.
You may sip your TEA in solitude; or you may share it in quiet
conversation with a trusted ally; or you may serve it freely at
a party of your peers.
The caveat: Your time, energy and attention are limited
resources, continuously consumed by necessary perceiving,
interpreting, choosing and living.
Another caveat: When you share your TEA with others, you
perceive their interpretations, and they perceive your
interpretations.
The essential message: You put some time, energy and attention
into every choice – big or small.
7.Perceiving is a divergent story.
Perceiving is a necessary part of choosing. Being the first
part, perceiving determines how long the choosing process
continues. You must perceive what is necessary and sufficient to
complete the choosing process, and yet you must interpret to
know what is necessary and sufficient.
You delay choosing when you devote more time, energy and
attention to perceiving what is and what’s possible, and less to
interpreting what you think and what you feel.
The caveat: You must know when to stop perceiving and when to
start or continue interpreting.
The essential message: You delay choosing when you focus on
perceiving.
8.Interpreting is a convergent story.
Interpreting is a necessary part of choosing. Being the last
part, interpreting determines when the choosing process ends.
You hasten choosing when you devote more time, energy and
attention to interpreting what you think and what you feel, and
less to perceiving what is and what’s possible.
The caveat: You must know when the time is right for
interpreting and when you need to continue perceiving.
The essential message: You hasten choosing when you focus on
interpreting. 9.TEA and possibility.
The amount of your time, energy and attention that you devote to
choosing naturally varies according to the amounts of risk and
reward that you perceive and interpret.
Some choices need only a modest serving of TEA – for example,
you easily choose in favor of big reward, small risk options and
confidently ignore small reward, big risk options.
You may naturally serve less TEA in consideration of small
reward, small risk options. When neither the risk nor the reward
moves you much one way or the other, you may find yourself
moving rhythmically in a kind of a trance dance.
You may often serve lots of TEA in consideration of big reward,
big risk options. When the reward is very appealing and the
risk, intimidating, you may find yourself rocking back and forth
in a kind of approach and avoidance dance.
The key to serving proper TEA in the company of possibility is
to remember that you are responding to your own perception and
to your own interpretation of risks and rewards that are
meaningful for you.
The caveat: Your capacity for full and accurate perceiving
determines how well you understand the risks and rewards
involved when you are choosing.
The essential message: You allot your time, energy and attention
to choosing according to the risk and reward that you perceive
and interpret.
10.TEA for two.
You may find that much of your continuous choosing becomes that
routine, everyday, little sips and cups of TEA kind of choosing.
You may create habits for most everyday choosing, such as what
you eat, how you dress, where you go, who you see. For these
things, you may consume less and less TEA perceiving what is and
what’s possible, and interpreting what you think and what you
feel. You may put yourself in low or no maintenance mode for
many routine actions and outcomes.
You may find that a lot of your choosing is still that special
occasion, bring out the good china for TEA kind of choosing.
The frequency and quality of your special occasion choosing
depends greatly on the amount of TEA you have spared from
everyday choosing.
The caveat: Choices that serve you well one day may not be
suitable the next.
Another caveat: “Big and scary” special occasion choices can
seem bigger and scarier when you hardly ever entertain them.
The essential message: You cultivate habitual choosing to free
up time, energy and attention for higher stakes choosing.
About Author :
John is a personal and professional coach, and Director of
Optionist (http://www.optionist.com), conducting research, and
offering education and support, for understanding how we choose.
John works as a professional consultant in public and private
sector organizations in the US and Canada, developing and
delivering effective educational and experiential workshops.