22 Feb 2008 03:50:19 | Sarah Francis
It is no secret that over the past couple decades country music
has struggled with it’s identity far more than any other genre
in the industry. At this point nobody can really claim to be a
country music fan without being questioned what kind of country
fan? The answers being seemingly endless, I’ve broken them down
into a few main categories (but really, there could be so many
more).
Pop Country
This category could really be referred to as “Nashville
Country.” It hosts probably about 90% of the country music out
there. I often find people not wanting to admit in conversation
that they’re fans of this category. They like to talk about how
they love Willie Nelson and mouth the words to Merle Haggard
songs even though it’s obvious their faking it. Then they get
alone in their cars and unwind by driving down the highway,
blasting Shania Twain on the radio, and singing along at the top
of their lungs. Let me just say, there’s nothing wrong with
that, like what you like. Nashville record labels pick very
talented, often attractive singers that perform with some great
bands. They also have some of the top songwriters and composers
in the industry working for them.
One criticism I would have against this category…In recent
years, there has been a rebellion of sorts against Nashville
music from musicians in both the Rebel and Texas sub categories
(see below) with songs booing Nashville and praising the old
timers. Sometimes this gains them popularity and they get so
popular that they land a big contract with a Nashville record
company and for some reason everybody is perfectly comfortable
with this phenomenon. This is what I like to refer to as “Pat
Green Syndrome”.
Rebel/Rock Country
Very liberal people are who you tend to find in this category.
These artist just do whatever they feel like doing, and
consequently there are not many of them, or at least not many of
them that stay popular after their initial shock value wears
off. They are usually independent and like letting it all hang
out. A good example currently in the limelight is Gretchen
Wilson. Others that haven’t quite reached her popularity level,
but have been around for a while include Ray Wylie Hubbard and
Todd Snider.
Sometimes the guys in this category derive quite a bit of their
rebelness from incorporating rock into their music. Good
examples of this are Robert Earl Keen and James McMurty (I
highly recommend both of them).
Texas Country
This category has developed into somewhat of a music cult, and
it stretches all over the United Sates. (Note, this last month
there was a huge three day Texas music festival in Colorado).
It’s popularity started off with the likes of Willie Nelson,
Jerry Jeff Walker, and Gary P. Nunn. What really sent it off in
recent years was the popularity of Robert Earl Keen, Cory
Morrow, Pat Green, and Jack Ingram. It plays extremely well in
frat houses across the Lone Star State. While the guys mentioned
earlier have taken off in a different direction, new artists
like Max Stalling, Mark David Manders, and Ed Burleson have
started to take their place. If you ever watch this development,
it’s easy to see that the Texas music industry is growing so
fast that it will probably soon be just as big as Nashville’s.
Old Country
If you can sing the words to three or more Willie Nelson, George
Jones, and Johnny Cash songs please come in. If you can sing
along to Patsy Cline, Charlie Rich, and Hank Williams please
take a seat. If you can croon all night with Bob Wills please
let me get you a beer, I’m glad we met. Welcome to the old
country category, sadly a lot of people find it boring here.
Real Old Country
Most people in this category know how to yodel. They’ve probably
witnessed someone play the bones, if they do not already know
how to play them themselves. The people in this category refer
to each other as “folks” and recognize that country’s roots
derived from folk music. This category requires being able to
enjoy sitting on a front porch sipping ice tea in the middle of
the summer while some old man plays “Streets of Laredo” on an
old Gibson. Indulging in campfire banjo playing helps as well.
If you’re like me, you probably have your favorite category and
then like some things out of each one. There’s not really any
one way to define country music, and with it being an
ever-changing industry there probably never will be. One thing
that doesn’t change though, no matter which category, you can
still dust of your boots and take just about any country song to
the dancehall with you.
Sarah Francis
This article, written by Sarah Francis, was first published at
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