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18 Feb 2008 03:50:04 | Bill Dollar
Looking up this week from getting a reggae backing to sound like
St Ann rather than St Felicity, I spotted the small dark mist in
the usual corner behind the left monitor speaker. I have
sometimes believed absolutely that this is my best muse, back
from a pizza run to the outer starbelt. Or maybe just the golden
ring around Uranus. Anyhoo...It seems to bring inspiration in a
dark way: more Keith Richards than Cliff Richard, and I feel the
urge to write something that involves leather, whips and a snare
drum that sounds like Pavarotti hitting the water from the top
board. I dig out my file called Heavy Riffs That AC/DC Lost
Under The Driver's Seat. It would help if the word MURDER
appeared in the first lyric line: that always gets the bowie
knives out. As Sam Goldwyn said: Start with an exploding volcano
and build up from there to a climax.
I can't emphasise how important the first two lines of the first
verse are, in any song.This is where you the artist set the hook
in their miniscule attention spans or not. If you simper your
way into a song, as per a style I like to call Captain Cliche,
you've probably lost them before the second guitar comes in.
Please avoid a first verse that goes like this: ooh I love you,
yes it's true, what am I supposed to do, baby I know without
you, all my dreams are down the loo...blah blah...
Anybody still awake? The only thing that might just save that
song would be a beat strong enough to flip Lazarus out of the
grave and over the horizon. I never thought that the years I
spent writing ad copy for various ad agencies would be worth so
much to me now. The rule in advertising is: when you've written
the headline, you've spent 80c of your dollar. It's got to hook
them. It's gotta say something different about a subject you've
heard a million times. Take the neverending subject of LOVE (
also known as LURV...the NASTY...and BUMPING UGLIES) If I taught
songwriting, one of the first projects I would set would have to
be: write a song about LOVE, but make it interesting.Make it
different. Make the listener say: I never thought of it that way
before. Now Paul McCartney, being famous, doesn't have to work
as hard as the rest of us. So he calls it: Another Silly Love
Song. With a chorus that goes: iloveyouiloveyouiloveyou. Phew,
Macca...time to open the window!
Here's how I do it: my song is called: If You Were Icecream...
and the first verse is: If you were icecream, I would eat you,
with a very small spoon... if you were starlight, I'd go to meet
you, halfway to the moon... I think that's a lot more
interesting than Paulie's but hey, he's famous, and I've just
started kicking at the door. For more examples of how I approach
first verses and songs in general, scoot along to my new site or
click on the link below.
Must get into town for some new acoustic guitar strings. Haven't
changed them for a year, and No..there's no direct link between
underwear rotation and guitar strings. And-a
one...two...three...
About Author :
Bill Dollar is a survivor of the record company wars. He
currently lives on a small farm somewhere in the southern
hemisphere, amongst cats,dogs and cobras.He writes songs he
likes, because he's not hearing anything worthwhile on the
radio. Hear what he calls music at:
http://www.billdollarmusic.com
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